The Christian Parthenon:
Classicism and Pilgrimage in Byzantine Athens
By Anthony Kaldellis
Reviewed by Nassos Papalexandrou,
University of Texas at Austin
Bryn Mawr Classical Review 2009.12.18
A monographic study of the Christian Parthenon is long overdue. It is ironic that Kaldellis' bold and provocative book was published simultaneously with the pompous inauguration of the New Acropolis Museum at Athens, a cultural institution that decisively concretizes the Parthenon as the great masterpiece of Classical Antiquity. Kaldellis is a byzantinist who takes issue with this monolithic and fictional construction of the Parthenon in both popular and scholarly imagination since the eighteenth century. His argument is that the perceptual filters of Classicism, distorting, disorienting, and culturally contingent as they have always been, have diverted attention from the illustrious career of the monument as a Christian church. Consequently he sets out to rehabilitate the monument in its former, hitherto neglected glory as a pilgrimage site of universal appeal and as a focus of attention, cult, and intellectual preoccupation that have no match in Classical antiquity. He does so with expository verve and an often polemical tone that militates against the prevalent neglect and misunderstanding of the rich intellectual heritage of Medieval Hellenism. It is time we discovered the riches and complexity of post-antique Hellenism, Kaldellis argues. His book provides a paradigm for how to go about this, especially how to formulate questions and methods of approach that defy the suspicious assumption that Hellenism after antiquity was orientally decadent, derivative, and second-rate. It is no accident that this revisionist project has to start with the Parthenon. At once a blessing and a curse, this tyrant of a monument has to be deconstructed along with all the ideologies it has come to epitomize in Western civilization. The undertaking is daunting, but Kaldellis's book shows that it is well worth the effort.